Revelation and interpretation
Inspired by illuminated manuscripts of the middle ages, this unfolding body of work seeks to capture the unsettling imagery of ancient Christian apocalyptic illustrations, fused with subtle references to contemporary times.
Deceiver of the Marked
Deceiver of the Marked (2020) is the first piece from the Medieval Apocalypse Art Studies Series and is inspired specifically by details from the Bamberg Apocalypse (11th century).
Deceiver of the Marked presents an angelic figure guiding the False Prophet, permanently bound to the Great Serpent.
The forked tongues, spiraled like strands of DNA, suggest genetic fusion. The victims of the deceiver have become structurally and foundationally aligned with the serpent.
Harvest of the Self Righteous
Harvest Of The Self Righteous (2021) is the second piece from the Medieval Apocalypse Art Studies Series and is inspired specifically by details from the Saint-Sever Beatus (11th century).
In Harvest of the Self Righteous, the first horseman of the apocalypse strides forth to conquer the minds of the masses.
Note the would-be “saints” conforming with the horseman in self-aggrandizing lockstep.
Blood of the Saints
Blood of the Saints (2022) is the third piece from the Medieval Apocalypse Art Studies Series and is inspired specifically by details from the Saint-Sever Beatus (11th century).
Blood of the Saints features the “Great Harlot” or “Mystery Babylon” astride the Beast and “drunk on the blood of the saints”.
Note the trampled victims, the wounded yet living head of the beast and the burning city.
Trumpets of Wormwood
Trumpets of Wormwood (2023) is the fourth piece from the Medieval Apocalypse Art Studies Series and is inspired specifically by details from the Saint-Sever Beatus (11th century).
Trumpets of Wormwood explores apparent cosmic indifference and the apocalypse as a celestial function.
The work features trumpet blasting Angelic heralds of stellar destruction and an approaching rogue star system in the heavens.
The Spectral Sword
The Spectral Sword (2024) is the fifth piece from the Medieval Apocalypse Art Studies Series and is inspired specifically by details from the Saint-Sever Beatus (11th century).
It features the Second Horseman of the Apocalypse, astride a Mars-red steed, wielding the “Great Sword” over a fourth of the earth.
Patron of the Destitute
Patron of the Destitute (2025) is the sixth piece from the Medieval Apocalypse Art Studies Series and is inspired specifically by details from the Saint-Sever Beatus (11th century).
Patron of the Destitute features the Third Horseman of the Apocalypse, herald of economic stringency amid cosmic signs.
This piece explores economic apocalypse — sudden ruin and prolonged pressure.
The Medieval Apocalypse Art Studies Series is both a tribute to historical craftsmanship and a contemporary artistic meditation – a fusion of tradition, imagination, and modern relevance that invites viewers to look deeper, reflect, and experience the timeless power of apocalyptic archetypes.
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